The Post-Game - Deadfall Adventures (Spoilers)

Platforms: Windows, Linux, Xbox 360, Playstation 3

Deadfall Adventures has been sitting in my game library for a while now. It was always a game I meant to play, but somehow never had time to. Well, I took the time - 12 hours to be exact - and I thoroughly enjoyed myself. It's a fun mix of shooter, puzzler, and B-movie Indiana Jones-style setting / action / dialogue. If that sounds appealing, the game is worth picking up when on sale for around $10.

Note that I only played the single player campaign. I will evaluate the multiplayer at some point in the future.
That is if I feel motivated to try it out before needing the hard-drive space for other games.
And that's if there is anyone in the multi-player lobbies to even play multi-player with.

Gameplay

+ Decent gun-play. Different weapons feel different. 

+ Well-designed levels. Though linear overall, the levels tend to be large with plenty of cover and opportunities for flanking. 

+ Destructible cover. Not all cover is destructible, but plenty is.

+ Environment kills. Shoot explosive barrels, generators and gas cans to trigger explosions. Or, even better: those Mayan traps you just spent five minutes avoiding? Trigger them to kill the enemies coming after you.

+ Great puzzle design. These are the kinds of puzzles that I wish were in the new Tomb Raider (2013). Mirror puzzles, the "tile" puzzles on the floor (put a foot wrong and you die), going up and down on a platform, trying to pull levers in the correct order - all are core elements of Deadfall Adventures, and are required to progress in the story. None of the puzzles are greatly proliferated, either - some are variants on a theme (I counted three bounce-the-light-on-the-mirrors puzzles). Helps keep things fresh and interesting.

+ Fighting non-human enemies is reminiscent of Alan Wake's "fight with light" technique. Shine a flashlight (or other light-source - there are environment triggers for this as well), heat them up, and they start to burn. Once the burn effect begins, shooting them will have an effect. 

+ / - No cover system. Crouch behind cover, but no "snap-to" cover system. Not an outright negative because it can be argued that the game doesn't need it.
+ / - Same for dodging. Not in the game, but Deadfall Adventures is not built around melee combat anyway.
+ / - Not too short. A short campaign is one of the primary criticisms of the game. I got 12 hours out of a single playthrough, taking my time with puzzles and looking for treasure. Speedsters can complete the game in a third of that time, but atmosphere and environment is one of the points of the game. If you don't take time to savor either, and play the entire game with a game-guide providing all the puzzle solutions, expect to be disappointed by Deadfall Adventures.

- Low replayability. Once you've played it, no reason to revisit it except for achievement grinding.

- Some levels are pure corridor shooters. Boring. Thankfully, there are not many of these.
- No manual saving of the game. Checkpoints are fairly frequent, but still annoying.

- The loot system. It is completely tied into the upgrade system. Find treasure, and use it to upgrade Quartermain's skills. Treasure is only found by exploring every nook and cranny of the (generally linear) levels. Taking time out of the main quest is something I like to do for fun if I am enjoying the game; don't force me to do it as a condition of upgrading my character's skills. Finding treasure became a chore. I missed out on several upgrades just because I couldn't be bothered to complete the puzzle to uncover the treasure. Completionists will thrive here, but those looking to maintain momentum in their game won't want to take time out to find all the treasure. Which will preclude them from fully upgrading Quartermain.

- Reflexes required. Not always, but there are a few puzzles that rely on a player's reflexes to pass through them. Something to keep in mind if you're playing with an old keyboard + mouse and have issues with input lag.

- Puzzles may have great design, but sometimes there is simply no indication how to solve them. The in-game notebook that Quartermain consults when faced with a puzzle is usually helpful, but there are several occasions where it was not - and one occasion where the notebook was wrong. 

- Sometimes there are no clues on how to progress. Not always a problem, but it comes up at a few crucial points. The easiest example is the final boss. (minor SPOILER) At the second stage of the fight, with lava being shot everywhere, the boss is invincible. I ran around in circles for fifteen minutes, shooting at the boss and his minions, unsure if I was actually damaging him with gunfire, or whether by shooting his minions he was taking damage, or maybe I had to kill several waves of minions for him to take damage... Nope, none of that. Finally, I looked up a game-play guide and learned that, upon entering that stage of the battle, I was supposed to shoot out some support columns high in the air to collapse the ceiling on him. Maybe I would have figured it out after a while, but things like this happened several times throughout the game. That's not poor design - the design works well enough - that's poor implementation.

- Minimal upgrade tree. There are five upgrade paths, each of four levels. Not enough variety.

The entire upgrade screen.

- No in-game indicator of how to proceed through a level. Not looking to have my hand held, no. I wanted to finish an area, then go back and search for treasure. Sometimes I would be digging around, exploring some passageways, and trigger the next area - which locked me out of the previous one. Bye-bye upgrades.

Characters

+ If you can accept Deadfall Adventures as a B-movie kind of experience, Quartermain is snarky and sarcastic, his side-kick Jen is hot but capable, and the villain is a real scumbag who gets what is coming to him. Quartermain is your strong alpha-male type who prefers guns and bullets to puzzles and finesse (at one point he actually says, "I hate pushing buttons!" Except I had him push the wrong one, so he died instantly!). Jennifer Goodwin is smart and savvy, who provides the sense to complement Quartermain's direct simplicity. Aside from the villains, there aren't really any other characters in the game worth mentioning.

- If you can't accept the game as a B-movie kind of experience, you'll notice that Quartermain's voice actor is not that good, Jennifer Goodwin sounds like a cheap rip-off of Rachel Weisz in The Mummy, and the villains do absolutely everything you expect them to do. How many male-stereotypes have been seen in movies or in games that prefer bullets and explosions over any other approach? And how many times have we seen the woman thrust into a complimentary role to the alpha-male, balancing him and supporting him on his journey? Both are over-played tropes that rear their heads here once again. 

Narrative

+ / - You've heard the story before. Nazis are after some secret artifact that will give them power over the world. If plays out pretty much as you would expect it to: initial exploration, discovery of more pieces of the puzzle, betrayal, follow the villain to the next important piece, he gets there first, girl gets captured once or twice, rescue girl, get the artifact, kill the Nazis, save the world. Deadfall Adventures uses the story as an excuse to visit some exotic locations, and these locations are wonderfully detailed, but don't expect original story-telling.

Graphics Etc.

+ Environment graphics are superb. The Arctic looks cold, with great water / ice effects and blowing snow. The jungles are densely populated with lots of foliage, and the numerous ruins we explore are perfectly rendered with that aged, moss-covered look. 

+ Weapon models are well designed and detailed.

+ Except for the fact that Jennifer Goodwin's clothes look a little tight, they are at least practical and fit within the story. 

+ The game was very stable, not a single crash in the entire play-through.

+ / - Heavy on system resources. I was surprised to find that Deadfall Adventures stressed my system as much as The Witcher 2 (60% CPU, 100% GPU load)(A10 6800k + R7 260X). The game does look amazing, though, so I suppose that is not a surprise.

+ / - Voice acting is hit-or-miss. Quartermain's voice flip-flops between "I'm bored but I'm awesome anyway..." to "Hell yeah! look how big that explosion was!" Blech. The main villain's voice actor hits all the right notes, though, and Jen's voice actress comes off well enough.
+ / - Soundtrack is good, but not enough variety. Some tracks get repetitive, depending on how much time you spend in a location.

- Character models are disappointing. Stiff and low-res.
- Over-priced. I thought Deadfall Adventures was fun, but $50 for the Deluxe Edition? even at 75% off ($12.50), that is still more than the game is worth. Drop the Deluxe Edition to $7.50-$10 at 75% off, and the game becomes a must-buy when on sale.
- At the time of writing, there is no option to upgrade to the Deluxe Edition in the Steam store. I liked the game, why not provide a Deluxe Edition Upgrade option? As a result, I'm missing out on some DLC, multiplayer skins, behind-the-scenes extras, and soundtrack. I can't get the Deluxe Edition by purchasing it - Steam says I already own the game. So... I guess there is no legitimate way to get those extra materials.

The Post-Game - The Saboteur (2009)

Platform: PC (disc & Origin), Xbox 360, Playstation 3.

I picked up The Saboteur during an Origin sale. I had never heard of it, but the premise looked cool: playing as a member of the French Resistance, fighting Nazis, exploring open-world Paris. Incredible potential, and a great idea on paper.

Well, The Saboteur gameplay is a ton of fun. It plays as a hybrid of Just Cause 2 with Assassin's Creed. If you loved either of those games, you'll probably like The Saboteur. And there are not a lot of open-world WW2 games on the market, so The Saboteur occupies a unique niche. The open world of Paris, the black & white vs. color mechanic, fast cars, destroying Nazi installations, and a passable story make The Saboteur a great experience.

Gameplay
+ The map is huge, covering Paris and the outlying countryside.
+ Parts of Paris are hidden behind Nazi checkpoints. Instead of making these other parts of Paris unlock with story progression, you can actually enter them at any time. Enemies are tougher and more numerous, and instead of presenting identity papers to pass through checkpoints you just have to barrel through the gates, raising an instant Level 1 alarm.
+ Occupation colors. On-screen colors are black & white (with red being the only other color allowed) until a sector is liberated from Nazi control, when the display is changed to full color.
+ A lot to do. There are sniper nests, fuel depots, radio installations, radar systems, propaganda towers, armored vehicles, zeppelins, railroad bridges and more to find and destroy.

+ A lot of time is spent driving. The car models have good detail for a game from 2009, and are easy to power-slide.
+ Stealth is fun. The detection meter is there of course, but the disguise mechanic adds a fun element. Knock out a Nazi guard and put on his uniform to disguise yourself. Be sure to use the non-lethal take-down, though; blood on the uniform will make it unusable. With the disguise on, you can go wherever you want - even into restricted areas. Get too close to other guards, though, and you risk detection. If detected, it is pretty easy to shoot your way out of these situations early in the game. Later on in the game, getting detected can result in near-instant death because the enemies' firepower becomes almost overwhelming.
+Stealth weapons allow for aggressive stealth without needing to be a ninja. The silenced pistol and silenced SMG allow for quiet kills. These need to happen out of sight of other guards, OR you need to quickly kill all guards who might witness an assassination.
+Rambo-ing is also possible, if stealth is not your style. It is easy to get head-shots with the right weapon. Watch out for Gestapo death squads, though. Those suckers are very hard to kill.

+ / - The platforming / parkour works well. It just feels clunky. It's awesome swinging around Paris on the roof-tops, zip-lining and climbing everywhere. And don't get spotted by German guards, or you'll trigger an alarm (this is good). But there have been a number of times I reached for a ledge to climb it, and for some reason Devlin wouldn't grab it, or leaped for a zipline but the key-combo did not make Devlin grab it (making him plunge to his death) (these are not good). In many ways the platforming / parkour functions in a similar manner to the Assassin's Creed games with Ezio (II, Brotherhood, and Revelations). Unfortunately, a lot of similar frustrations are here as well.
+ / - The contraband system. It makes sense within the context of the game, i.e., get contraband to trade with black market dealers. And finding a Resistance cache tells you what contraband you're getting, like jewelry, paintings, chocolate etc. But from destroying a sniper nest, you get - 200 contraband. Of what? Scrap metal? Contraband is necessary to upgrade weapons and gear, not criticizing having contraband at all, there is just some video game logic at work here. Not worth taking points off, but logicians will be annoyed.

- Destroying all that Nazi stuff (sniper towers, tanks, propaganda etc.) has nothing to do with the level of Nazi control over an area; "destroy" actions yield immediately-generated "contraband," and nothing else. I was hoping for something like in Red Faction: Guerrilla, where destroying enemy assets reduces enemy control and morale; when the morale reaches zero, the mission to retake the sector is triggered. There is nothing like that here. Destroying stuff just devolves into "doing random stuff" with no major implications. Yes, if you destroyed the sniper towers by the Gestapo headquarters, it will make some missions easier, but that is about it.
- Grinding. Without much additional reason to destroy stuff, accumulating statistics becomes an epic grind which has no real relation to the story.
- No fast travel.
- Dying and reloading a save-game does not give your character weapons. What? Yes. You have to re-equip weapons from the nearest black market dealer after re-spawning. That is not a problem, though, because
- All save points and re-spawns return you to the nearest Resistance safe house. Of course, that could be quite far away from where you were, leading to frustration and re-traversing countryside that has already been explored.


Characters
+ Sean Devlin is fun, determined, and loyal. A great character to empathize with. An Irish Catholic (he crosses himself once or twice, otherwise religion plays no role in the game aside from a few missions for a priest), he has an instinctive dislike of the English. He has solid if conventional motivations, and is rarely conflicted. Basically a straight-up action hero. Veteran voice actor Robin Atkin Downes is extremely solid.

+ / - The rest slot into prescribed narrative arch-types. The evil Nazi engineer / scientist who killed Devlin's friend (Kurt Dierker), the beautiful British spy (Skylar Saint Claire), the beautiful British spy's asshole boss (Bishop), the dutiful best friend's sister (Veronique), the leader of the Resistance that the best-friend's sister is in love with (Luc Gaudin), and the shady black-market dealer who can get rare and high-powered weapons (Santos).

Narrative
+ / - In the prologue, a close friend of Devlin's is killed by the Nazis. This provides the jump-off point for "let's get back at the Nazis for killing my best friend" mayhem. While the setting is serious, things feel almost light-hearted for a while. Help people out on the street, annoy the Nazis to no end, defend some hotspots in a "fight back" mission (which is basically a timed horde mode). Then return to the Belle (a burlesque club) to chill with some scantily clad women. All that determined-yet-warm-and-fuzzy feeling goes out the window as events turn unexpectedly dark in the third act. Thanks to a traitor in the midst of the Resistance, people around Devlin start dying. There is no choice available, these events are hard-scripted into the story. The climatic finale is impressive, but there is not much fighting in the final story level (where it takes place is really unique, so I won't spoil it). There is good forward motion, and the drama goes from being mundane to intense in the third act. A well-done story that takes full advantage of the locale.

- The game ends with Sean Devlin saying, "I'm just getting started." Sounds like the game is tailor-made for a sequel. In six years, there has not been even a hint of one. Too bad.

Graphics etc.
+ The black & white aesthetic that changes to color is an awesome technique that really gives The Saboteur a unique look.
+ Voice acting is good, and the French accents are generally correct.

B & W is cool, low-res textures are not.

+ The music is awesome and really sets the tone. A lot of classic jazz (Ella Fitzgerald, Nina Simone,and others), and some new songs that perfectly fit the mood (like Koop Island Blues). Really gives the game "that 40s feel." Menu themes and a few action cues were composed by Christopher Young, and work well.
+ The Saboteur runs easy on system resources. Maxed out with post-processing disabled, the game used between 400-600MB of video memory (Radeon R7 260X 2GB). My A10 6800k was at 50% CPU capacity (two cores) while playing the game.

+ / - For a 2009 game, character models are decent, but Mass Effect's were better, and Mass Effect came out two years before the Saboteur.
+ / - Leave the Post-Processing option off in the graphics menu. This game runs via DirectX 9 and looks just awful with Post-processing on.
+ / - There is a lot of nudity in The Saboteur. It is usually contextual, but sometimes it seems like the designers took the setting (one of the Resistance safe houses is in a burlesque theater) as a chance to binge on CG breasts. The female body is awesome, don't get me wrong, but in this case it seems like this part of the game was exploited to appeal more directly to twelve- and fourteen-year-old boys who might not have a standard of comparison.

- Some crashing. Not too bad - three times in 30 hours.
- graphics are generally sub-par, with low-resolution textures everywhere and some of the worst texture pop-in that I've seen so far.
- Finding a "scenic viewpoint" results in the camera pulling back and panning (like Assassin's Creed Viewpoint synchronization). It's an achievement-based action, no new information is learned from the scenic viewpoint. I guess it is supposed to show the gamer how awesome Paris looks, but there are major problems with the mid-distance rendering. Near distance and far distance render fine (if blurry and low-res), but in between the two would be flickering textures or just black blotches. Not sure if bugged, or just a faulty installation.